Tag Archives: museums

Learning in the Intersections

You all probably remember them, those iconic experiences of heading out on a school day with your classmates and teacher to a local museum or art gallery to extend and enhance what was going on the in classroom…a field trip!  And in the best of times, those field trips are memorable, often motivating learning beyond the school curriculum.  Maybe one of those experiences even fueled your passion for a particular field of study.

But often, field trips are fraught with conflict.  Are you heading out of the classroom to “do school” somewhere else?  Is it a free day of fun with friends where the learning is incidental and accidental…if it happens at all?  What role do teachers and museum personnel play in the field trip experience? What about chaperones?  And what about students and their interests and passions?

Through Intersectionsa project funded by the National Science Foundation through the National Writing Project and the Association of Science and Technology Centersthe San Diego Area Writing Project, in partnership with the San Diego Natural History Museum and the Reuben H. Fleet Science Center,has been exploring the conflicts and tensions surrounding field trips.

In our second year of investigating how to support student learning in the context of a field trip, we have learned a lot.  Most significantly, we’ve learned the power of the interaction and co-learning of formal educators (those who work in school settings) and informal educators (those who work in out-of-school spaces like museums).  We discovered that our goals for student learning are mostly the same, and through our interactions, we have reconsidered how we might achieve those goals.  But first we had to let go of all that we have no control over–including exhibit layout and signage, field trip costs and transportation, and the uneven qualifications of chaperones, especially when it comes to facilitating student learning.

We’ve decided this year to focus on ways to support students as agents of their own learning, depending less on the adults who accompany them and trusting that a rich museum experience will result in meaningful learning–even when students do not complete worksheets that ensure they have learned specific facts or answered a series of questions delineated by grade level standards.

So we have asked teachers to prepare students for their trip by asking them to explore the exhibit, noting what interests them, and taking back interesting tidbits and lingering questions for further investigation through the creation of some kind of project back in the classroom following the trip.  And to better understand how this works in action–with a variety of grade levels and school contexts–we are observing students in action through a series of field trip pilots.

Today we observed sixth graders in action.  They came with a charge–to notice adaptations of plants and animals evident in the Coast to Cactus exhibit so they could create a project displaying their learning back at school next week.

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We watched students looking closely, in conversation with each other as they observed live animals in the exhibit.

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Students working alone, taking notes from the exhibit signage.  And others in pairs and triads, some taking photos, others sketching, and some simply flipping buttons and spinning dials.

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This student seems to be under surveillance by both the researcher and the stuffed deer as he takes notes from the informational placard.

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Some students found cozy nooks to meet and write–like inside this Bambi airstream that is a part of the exhibit.  While others took a bit of time away to see how many boys would fit inside the hollow tree trunk while a classmate looked on and snapped their photo!

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And the questions linger.  How much like school should a field trip be?  Do students need to “on task” by completing forms, taking notes, answering questions…  Or can they be talking to each other, turning dials, inventing their own competitions and games related to the exhibits, crawling through tunnels and squeezing into tree trunks…and still be learning?  Do they need to “do” the museum, reading each sign, looking at each artifact from start to finish?  Or is it okay to  focus their time and attention on the areas that most pique their interests?

I’m interested in what these students will create when they head back to school.  How will the visit to the museum influence their project?  What will they remember most about this trip?  Will they come back on their own, with their families?  How would they use the museum if left to their own devices?

We are paying attention to the intersections of formal and informal learning, of writing and science…and of student interest driven inquiry and teacher/adult directed learning.  And with each pilot field trip, I have more questions about supporting student learning as we work to help students initiate and shape their own learning using field trips as a tool.

How do you view the iconic field trip?  How do you prepare your students/your own children for out-of-school learning experiences?  What outcomes do you hope for when you think field trip?  We’d love to hear about your thoughts and experiences!

Sometimes Process is the Product

It was quiet when I arrived, the coffee maker was percolating, the snake stretching up to explore its glassed-in space, and the empty exhibits waiting to be filled with the curiosity of children. There’s something magical about an empty museum…an experience I have come to love through our Intersections work, a partnership between the San Diego Area Writing Project, the Reuben H. Fleet Science Center, and the San Diego Natural History Museum (the NAT).  We, classroom teachers and museums educators, have been learning and working together throughout this school year to improve the field trip experience for students, and to explore the relationships between science and writing. And yesterday was our second field trip pilot, an opportunity to observe students, their teacher, and chaperones in action as they implemented the tools we developed to support the experience.  These tools: a chaperone orientation video, exhibit guides, and questions to invite student inquiry; a hands-free field kit, question card, and exhibit booklet for students; and all the experiences the teacher–one of our participants–had through our year together, were meant to support student inquiry and encourage exploration.  They were meant to support the parent volunteers/chaperones, helping them to facilitate student-driven conversations about their observations.  And in many ways, these tools did help to support these goals.

Student Field Bag...(Don't you love the sparkly pink leggings?)

Student Field Bag…(Don’t you love the sparkly pink leggings?)

My favorite part of the field trip happened at the very beginning when students were treated to a behind-the-scenes tour of the Nature to You loan library at the NAT, a room filled with taxidermy animals, insect specimens, and a geologic collection that are available for teachers to check out and take to their classrooms.  As we piled into the small space lined with glass cases of bobcats, birds, bats, possums, insects, and more, you could feel the energy.  Students spontaneously began asking questions, “Are they real?” “Are they alive?” “How did they die?” After a brief explanation that in fact, all these animals are real, but no longer alive…and that they either died of natural causes or were found dead and then preserved through taxidermy, students were invited to explore the collection and to consider which animals they might like to have visit their classroom.  The children and their chaperones spread throughout the room, eager to uncover the treasures within. looking closely interesections Student knelt down and bent in close to the glass, carefully observing the animals of interest. They told stories of animals they recognized…and their adult chaperones also told stories and pointed out animals of interest.  Everyone seemed to find favorites and called their friends over to see their finds. With Doretta Intersections This little girl was fascinated by the butterflies and desperately wanted this specimen to come to her classroom.  She asked if she could make a list of animals she wanted to bring back to school…and of course, she was encouraged to do so.  Students spontaneously took paper out of the field bags and used all available surfaces: shelfs, carts, the floor… to write lists and other information they wanted to remember about these animals. writing to remember intersections As they exited from the loan library, students gathered into their small groups and headed off to the museum exhibits.  They were free to explore in whatever order they decided, and our team of educator-researchers followed along, taking notes, listening in on conversations, documenting the museum experience. We noted the places where students lingered, where they seemed eager to spend more time and explore, and captured their questions and conversations where we could.  I found myself interested in the structures and spaces of the museum, thinking about the strategic placement of benches and stools and the height of information boards.  I loved watching students at this chalkboard that invited students to draw skulls that they had observed throughout the exhibit. skulls on a chalkboard intersections And I noticed students sketching and writing in their booklets–a space intended to invite student observations and deepen their thinking.  Unfortunately, in many cases students and chaperones seemed to view the booklet as a duty, often filling in spaces as quickly as possible with little thought and attention.  I did notice a student or two take some time…this little guy made himself quite comfortable in the middle of the floor, as he sketched and completed a page in his booklet. drawing my hand intersectionsBefore lunch, students had the opportunity to get close to a couple of snakes…and even touch them.  They moved in close, asking questions of the the docent as they reached toward the snakes. snake petting intersections After lunch, students headed off to the Fleet with the researchers in tow.  We continued our documentation and observations.  As the field trip wound to an end, the educator-researchers gathered in a conference room to debrief the process.  Reviewing our notes, we thought about the positives of the field trip experience and the places we still felt a need for change and improvement.  And then we gathered in groups and discussed our observations.  The conversations were rich and dynamic, noting the places where we observed students engaged and inspired and still finding missed opportunities for students to be self-directed and to delve more deeply into the questions the exhibits provoked. This process of designing field trip tools, testing them in an authentic field trip experience, and then reflecting on the implications of our observations in order to iterate and innovate has been a powerful one.  And while there has been frustration in our group that we haven’t yet produced a product that captures the depth and intensity of our work together, we have learned a tremendous amount and come to some startling ahas about the intersections of informal and formal learning opportunities.  As much as we’ve tried to support chaperones to facilitate inquiry, the reality is many of our well-intended parent volunteers are not prepared for that role…and our “crash course” in juicy and probing questions isn’t enough to make them feel comfortable and confident in that capacity.  Mostly, they do just what we asked them to do, they keep track of students, redirect them when needed, and deal with the safety and personal well-being needs that come with groups of children.  So, we are rethinking our tools…again.  And maybe we will never have the perfect product we wish for…and then again, maybe this process is the product we are searching for, an occasion to really see students in action and consider the roles we might play in supporting their curiosity, deepening their learning opportunities, and opening up time and place for playful exploration and inspiration both inside the classroom and in those wonderful spaces beyond the classroom walls.

At the Intersection

What do you find at the intersection of science and writing?  In my experience that’s a place filled with energy, inquiry, and amazingly devoted educators!

This morning, early on a Saturday, I had the pleasure of working with a group of educators (half who are public school teachers, half who are museum educators) creating tools to improve the field trip experience for students.  (Here’s an earlier post.)

What’s wrong with field trips…you might ask.  You may have fond memories of setting out in a bus as a student and exploring some museum, enjoying a day off from school in the name of learning. And for some students, I am confident that is the case.  It could be that the field trip even stimulated a life-long passion for natural history or science or art…

But all too often, field trips become either a day where the teacher doesn’t have to teach and students are “enriched” but not necessarily learning, or a day of frustration for teachers, chaperones, and museum staff–spent managing student behavior rather than stimulating curiosity and interest in natural history, science, or art.

So…on Saturday mornings this school year, we’ve been learning together.  Thinking about science and writing and inquiry and motivation.  Asking and answering open-ended questions and considering all the different ways we and our students learn.

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We’ve spent time in the science and natural history museums exploring the exhibits, observing, writing, and thinking.  We’ve read articles and searched for resources.  We’ve examined what other museums have done and looked at our own local resources.  All that in preparation for creating a “toolbox” of sorts for use with field trips.  This toolbox has tools for teachers, tools for students, tools for chaperones.  This morning was spent developing these tools in preparation for our first opportunity to test them.  Later this week we will be seeing how these resources work with students, teachers, and chaperones on a field trip to two museums.

And what I know for sure is that the process of thinking about and creating these tools will improve field trips for students touched by the educators in the room this morning.

The bigger and much harder to answer question is, how do we take our experiences and learning and share them with those who have not been part of our process?  Can we translate our passion, interests and expertise into a “toolbox” that will help others?  And how do we make sure that the tools we create are user-friendly and help to shape inquiry-based learning for students?

I feel confident that our learning will happen in the intersections.  The intersections of our tools and the students, of schools and museums, and of writing and science.  It’s in the intersections of powerful ideas and perspectives that the energy and inquiry lives.

Gardeners and Art: A Juxtoposition

I love museums!  These spaces highlight opportunities for learning and encourage an appreciation for curiosity and inquiry.  I’ve learned to not just look at the exhibits for what they hold, but to also think about how they are constructed and curated to tell a particular story.

Earlier this week I was in Los Angeles at the La Brea Tar Pits and the Page Museum which sits adjacent to the Los Angeles County Museum of Art (LACMA).  On a sunny, warm winter day I had the luxury of wandering the grounds of both museums, enjoying the exhibits, the outdoor sculptures and art, the beautiful gardens, and the expansive well-groomed lawns.

As I explored the sculpture gardens I noticed the gardeners hard at work, mowing and raking…making sure the museum grounds were pristine.  They also seemed highly aware of the museum visitors and tried to avoid obstructing camera views or otherwise interfering with the visitors’ experience.

And I found myself wanting to capture the juxtaposition of the celebrity of the art with the unassuming work of the gardeners.

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I noticed that the gardeners were highly aware of the visitors and made every effort to be unobtrusive as they went about the work of maintaining the pristine landscape.  I actually had to work to capture their photos…especially this first photo where I really wanted both the sculpture and the gardener with the lawnmower in the image.

And then I worked with editing apps to create images that featured the gardeners and captured the essential, beautiful nature of their work.

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Why is it that we celebrate the work of artists and scientists, but ignore the work of gardeners, cleaning staff, waiters and waitresses?  These are the people who make our places comfortable and beautiful.  They make sure that things are in working order, that trash gets deposited out of sight, they make our places smell nice and look nice.

So this post acknowledges the juxtaposition…and celebrates the work of those whose work is just under the surface of our attention.  These gardeners are essential to the experience I had on the museum grounds earlier this week.  They contributed to the aesthetics of the art and are essential to the museum experience.