Tag Archives: daily post

Clouds and Rain: Objects of Fascination

It seems that we always yearn for what we don’t have. Around Christmas time I was fascinated by snow…I longed to try my hand at capturing a macro photo of a single snowflake. But I live in a place where it never snows…I didn’t see snow fall from the sky until I was well into adulthood and I have never had a white Christmas.

This last week some of my fellow photographers at the iAnthology have been posting pictures of snow and ice in response to the prompt, Playing with Light. One particular photo of an icicle lingers in my mind and I find myself wishing for an opportunity to photograph ice…and the play of light…for myself. And then my teaching partner emailed me a link to some photos created by a man on snowshoes…intricate, gorgeous designs…made by his intentional walk on snow. Oh…I know a trip to somewhere cold is in my future!

But I live in Southern CA…in a place where we are having a drought and unseasonably warm winter temperatures. More people are wearing shorts and flip flops than sweatshirts and Uggs…and umbrellas have been stashed or lost or are coated in the dust and grime caused by lack of use.

The last couple of days have teased us with hopes of rain. The air is moist and fog has been rolling in along the coast in the mornings and evenings. And yesterday we had some hints of rain…that misty mess that muddies the windshield but doesn’t produce any measurable precipitation.

I awoke this morning wondering if it had rained overnight. The app on my phone said no…and gave no suggestion of rain for the day. But as I was dressing for no rain, planning to wear the kind of shoes you wouldn’t choose on a rainy day, my husband came upstairs to announce that it was, in fact, raining!

I rethought my wardrobe for the day, choosing my boots instead of my Toms, and headed out the door. For those of you who live where rain is common, you would probably laugh that we were considering this rain at all. But the first objects that caught my eye as I walked out the door were the poinsettias near the front door. They were glistening with drops of rain. I immediately pulled out my phone and began to photograph the droplets glistening on the bracts.

I love the way the black and white photo draws attention to the precious drops–something we see so rarely these days.

Honestly, this “rainy day” turned out to be not so rainy after all. I would be surprised if we even measure a quarter inch of rainfall in the county. But as I left work today, I found myself drawn to the clouds. In some directions the clouds were white and wispy, sitting in a backdrop of blue. In others, they gathered in tall white towers…and in others, gray and black framed the edges.

I was compelled to drive towards the clouds on my way home…and pulled off to the side of the road to attempt to capture the complexity of the clouds with my phone’s camera. The clouds became the object of my fascination and I took shot after shot, trying different angles to take advantage of the varieties of light available.

I don’t think I am done with clouds yet. And I hope the clouds are not done with us yet either. We desperately need some rain, although the forecast doesn’t look promising.

What is the object of fascination for you right now? Is it something within reach…or are you yearning for something you don’t have? I’d love to know more about your object!

Gardeners and Art: A Juxtoposition

Window Views

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I’ve heard that saying that eyes are the windows to the soul…a way to look beyond the surface of a person into their thoughts and emotions, which got me thinking about windows.

From the outside, you can look through a window to see what is inside. But sometimes, when the light is right, what you see when you look through the window from the outside is a reflection of the sky and trees…like this.

It’s almost more of a mirror than a window. You don’t see through it, you see the world reflected back at you.

And other times when you look through a window you can see through one window and then back out another window…and catch a glimpse of what is on the other side.

It’s almost like looking beyond the present…into the future or maybe into the past.

But what about the shape of windows? How does that impact our view? These windows are long and thin, reducing the amount of light that enters and restricting the view. Was that an intentional goal of the windows in this applied physics and math building? Or is there some physics and math at work that impacts just how these windows work?

Looking through my photos also makes me realize just how much of my life is seen through the frame of a car window. How does this window affect my view? (This one is from the passenger seat…not the driver’s!) I was fascinated by the VW bus, the rusty roof, the retro license plate…

And we also look out through windows. Sometimes the view is pretty open, allowing a wide angle of view.

And other times there are barriers, restricting our vision and limiting what can be seen.

So are our eyes really like windows? Do they sometimes reflect, sometimes allow the viewer to see beyond, sometimes carefully frame or give a view influenced by your seat? What affects the way we see out? When are the curtains drawn wide open and when are the blinds restricting the view?

How do your windows influence your view of the world?

One of Two

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We have two cats. Black and white “tuxedo” domestic short-hairs. Brothers and litter-mates. They’ve been together since birth…and in our house since they were 16 weeks old–almost 16 years ago.

I take lots of pictures of Phil and Jack. They are pretty patient photography subjects who let me experiment and intrude on their space…and they are pretty photogenic and look cute most of the time.

I notice that I seem to go through phases of focusing my photos more on one of them than the other. For a while, Jack was subject…my sons even asked if something had happened to Phil. But in the last week or so, I notice that it is Phil that is featured in many of my photos.

Phil is definitely the one who loves to explore…and checks out every new situation in the house. This last week we’ve had a number of workmen here: painting, installing a new floor, hanging blinds. And when I go to take a photo, there’s Phil.

Phil has a mind of his own. Sometimes he will patiently pose for pictures…and at other times I catch something more like this.

I can always trust Phil to find interesting places to lay. One of his favorite places to nap is in a decorative basket on a shelf high in the entertainment center that holds our TV. Today we found him basking in the diffuse sunlight on a low countertop that will eventually feature some piece of art (we think).

I love the interesting shadow echoing the black and white of Phil’s coloring (I had to sneak up on him for this shot!).

But sometimes Phil will pose…and let me focus my shot. Later today Phil was sitting on a chair in some warm light. He looked up just right, allowing the sun to highlight his eyes. I love the way the light works in this photo.

And sometimes Phil will let us play. Last week he let us put this cute Christmas hat on him and take photos. He seemed to understand that we were having fun and was unusually patient with the whole experience…humoring us as the one cat who manages to look good no matter how silly his people are!

Phil has ended up being the one of our two cats who was photographed most this week. Not because he’s our favorite or because we singled him out, but because he made himself the natural focus of the pictures. I notice that my students do that sometimes too. I’ll find that one of my students will show up in photo after photo…and then another week it will be another student.

So this week, Phil is the one. Who is the one in your photos this week?

Let There Be Light: A Light Study

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What started as a photo-a-day challenge for a month over a year ago has become a daily practice, a hobby, and maybe even a passion for me. I’ve noticed how my photographic eye has changed over time and how I am now thinking carefully not only about the subject of my photos, but also playing with framing, considering the rule of thirds, thinking about foreground and background, and studying light and its influence on the photo.

Today…Black Friday in the commercial, frenzied bargain hunting world…had us out early on this rare rainy day-after-Thanksgiving checking out bargains and enjoying time spent together. And after the errands and lunch, I desperately wanted to go to the beach on this stormy (at least by our standards) day.

As we drove along the coast toward home, I was on the lookout for an interesting place to stop with a clear view of the beach. We frequently go to the same beach, so today’s goal was to find another place–a new view–to explore.

We stopped at Ponto. And it was surprisingly crowded. The waves were big and the surfers plentiful. People were in bathing suits, full wetsuits, shorts and flip flops, and boots and jackets…it is Southern CA after all.

I already had my eye on the jetty in the distance. I knew I wanted to climb up on the rocks to get a great view of the sea. But on the way I was sidetracked by the collection of lifeguard towers and found myself trying many different angles to capture the light and the ocean in the background. I was struck by the dramatic differences in light and shadow. All of the photos were taken with my iPhone and are unedited and without any filters.

I know the rule about having the sun at your back for the best photos, but sometimes I find myself wanting to shoot into the sun. I love the way that shooting into the light creates silhouettes like in this picture of my husband looking out into the ocean.

And I also played with angling the light behind me to capture more light…and in this case, the movement of the water and waves as well.

When I pivoted 180 degrees in the other direction, the light my camera captured changed dramatically.

Understanding the light and being aware of the source of the light makes a dramatic difference in photography. By studying my photos I’ve learned some techniques that help me make more intentional choices rather than only happy (or unfortunate) accidents. It’s fun to play around and see how shifts in lighting change the photos.

Light can change the mood and tone of the photo, make it more pensive, more dramatic, or lighter and more playful. It changes colors, brightening or softening, creating depth and layers. Earlier today I was trying to capture raindrops with my iPhone, without much success…because light and reflection were working against me. I just couldn’t get enough contrast behind the drops to make them show through my lens. But you can be certain that I will keep trying…whenever the next rainy day comes along.

What have you learned from the light today?

An Unexpected Appearance

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I’ve been on the lookout for unexpected since I saw the Weekly Photo Challenge over at the Daily Post. But when you are looking for the unexpected, somehow it just doesn’t show up.

With a day off from work today, I decided it was time to tackle that pile of odds and ends that ended up in an unused room because of some work we had done on the house…and we have some new urgency to get it dealt with since we are doing some more work on the house. This is the pile that ends up in a cupboard somewhere because you can’t quite part with it, but you really don’t know what to do with it either.

Anyway, I picked up a green bound book that I thought was an old address book (back before we kept our contacts on our phones or computers). When I flipped it open I discovered it was an old photo album. Most of the pictures were of my husband when he was a baby with a few other odds and ends tucked into the pages. And then what I thought was a postcard fell out.

It was that perfect postcard size that is so often used for advertising. It had that “old school” look that modern apps work so hard to achieve. But upon closer examination I discovered it was a picture of me!

This is a picture of the photograph taken with my iPhone, so you lose the actual size and some of the background off to the sides.

This unexpected photo brings back so many memories…most of them good ones. I worked for McDonalds for more than 12 years before I went into teaching. I learned so many skills and practices through my management experiences that have helped me as an educator.

It’s kind of scary to read those menu board prices (hamburgers 39 cents!) and realize that I was quite competent at calibrating that soda machine behind the counter (back in the day before serve yourself soda machines). I inventoried and ordered all the raw product, scheduled employees for their shifts, kept ledgers of all the sales, hired, fired and trained employees (mostly teenagers a few years younger than I was), and so much more…

While it wasn’t rocket science or engineering, I did lots of systems thinking in my work at McDonalds. There were many interconnecting components to consider each and every day…and sometimes I had to suffer the consequences when the decision I made didn’t have the intended result.

I like the way the unexpected spurs thinking. This old photo has me thinking about so many things…my McDonald’s experiences, the changes in photography, wondering what happened to my old friend I used to work with and haven’t seen in years, and even the changes in fast food and the restaurant business.

My youngest son and his wife are coming home tomorrow to spend Thanksgiving with us. I think I’ll leave the photo out for him to see…

Layers

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Today’s Weekly Photo Challenge asks us to think about layers…how they reveal, conceal, and make things more complex. When I think about layers, I think about teaching and learning.

When I teach I have to decide if I will start with the broad overview…the big picture and then zoom into the details. Or if I will start with a detail and continue to pull back to let the bigger picture be revealed. The best teaching is layered…creating a foundation that is continually built up so that learners can access the tools they need to keep growing. Learners need to see the beauty so they will continue to dig and uncover the magic of the subject at hand. This pier makes me think of all those different views, it’s like windows layered on each other, creating a view of possibility.

Some layers are more like the supportive structure of bridges or scaffolding. The layers create footholds and braces for continual progress. They are less about the view, but more about feeling safe enough to take some risks. It helps to know that when you stretch to reach the next rung, there are some toe holds to prevent a total collapse. When I teach, I want to layer supports like this bridge does, allowing students places to hang on to as they reach and stretch toward the next level.

Other layers are more like the stripes on these monarch caterpillars. The stripes represent the way our knowledge and skills continue to grow and build, layer upon layer. It makes me think of the small group of students who gathered in the classroom before school this morning. We’ve been learning computer programming…and some made a bit of a breakthrough earlier this week (see this post), and have been working in whatever stolen moments they can find to continue the designs they started. They’re excited and motivated…and they’re teaching each other and learning from each other as they learn from their successes and their mistakes along the way.

Like these caterpillars, they have been layering on their knowledge, black on white on yellow, black on white on yellow…as they experiment with the programming tools in Hopscotch. And like these caterpillars, they are getting bigger and stronger…and closer and closer to transforming into beautiful butterflies.

Layers are like that!

Habits…of Language

The Action of Stillness: Still Life

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Today’s daily prompt at The Daily Post is stillness. In our classroom we’ve begun to work on sketching techniques that help artists capture roundness. All this in preparation for sketching a still life of the fall bounty from the school garden. Last week we sketched pumpkins. Today…tomatoes!

So here is the action of a child working to capture the stillness and roundness of a tomato just picked from the school garden.

How do you capture stillness?

A Question of Luxury

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Just what is a luxury? The word tends to bring to mind those things you buy: fancy cars, expensive homes, designer clothes…

As I mulled the idea of a luxury I wouldn’t want to live without, I found myself thinking instead of just how fortunate I am. My basic needs are met…and more. I live in a beautiful city…a place that others choose for vacations.

The natives have been restless this week, our weather has been hot (for us) and we’ve had unusually high humidity too. Weather has been the topic of conversation for everyone. Most coastal dwellers don’t have air conditioning–we’re all much more used to carrying a sweatshirt at all times since it’s more likely to be chilly (for us) rather than too hot. So we’re all whining and complaining about discomfort and wishing for greener (and more temperate) pastures.

As I headed off to the beach this evening for relaxation and relief from the heat (it’s starting to become a habit), I realized that it is our proximity to the ocean that is the luxury that I would prefer not to live without. I love seeing the ocean in the distance as I sit in traffic on the freeway. I love knowing which direction west is as I watch the sun set. I love the briny smell of foggy mornings and the woody smell of bonfires along the shore. I love the quirky behaviors of seabirds, watching them run along the shore with bills specially adapted for the food source they seek. I love the piles of amber kelp that wash up and become jump ropes and sandcastle decorations and fun poppers exploding under my bare feet.

I love long walks, especially at low tide, with the white noise of the surf soothing my soul and relaxing that tight knot that often forms between my shoulder blades. The beach is definitely a luxury–and I wouldn’t want to live without it.